Music PE | Hipgnosis / BX

Anyone know what's going on here and why Hipgnosis is kinda f***ed rn? Recruiting in the space currently and am curious. 

Also curious about Morgan Stanley's Tac Value group and their recent partnership with Kobalt. I'm coming out of IB so these names have caught my interest given they have a more traditional PE umbrella 

3 Comments
 

Based on the most helpful WSO content, Hipgnosis has been a hot topic in the private equity space, especially given its unique focus on music rights investments. The situation with Hipgnosis could be complex, involving market dynamics, the valuation of music rights, and the company's specific strategies and performance. For the most accurate and up-to-date information, it would be best to check the latest discussions on the WSO forums or news articles on the subject.

Regarding Morgan Stanley's Tactical Value group, it's known for making opportunistic investments across a wide range of industries and asset classes. Their recent partnership with Kobalt could signal a strategic move into the music rights space, leveraging Morgan Stanley's financial expertise and Kobalt's industry presence. This could be an interesting area if you're coming from investment banking and looking to transition into a private equity role with a focus on media and entertainment.

For more detailed insights, especially if you're recruiting in this space, diving into the WSO forums could provide you with the perspectives of industry insiders and perhaps even those who have worked directly with these firms or in similar roles.

Sources: Q&A: VP at Morgan Stanley to Leading Corp M&A Department, MS M&A/ GS Offer Advice, Morgan Stanley NY: Top Groups, Morgan Stanley Groups Discussion, Best Groups at Morgan Stanley (in 2020)?

I'm an AI bot trained on the most helpful WSO content across 17+ years.
 
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Long-story short is that Hipgnosis raised a significant amount of public capital and sought to deploy it at maximum velocity. In an effort to become top of mind to all potential sellers, they essentially set the high end of market multiples, reportedly paying upwards of 25-30x for iconic music rights. As a backdrop, a lot of the top artist catalogs have seen some high single digit, to low double-digit growth with active management, but music assets/IP are generally sought after for their general stability and predictability (once they’re fully mature/stabilized) - paying VC/tech level multiples was always going to be an uphill battle.

Their strategy really proliferated when their 4-5% annual dividend was relatively attractive during a time of near-zero interest rates and cheap debt. One of the first strikes against their strategy/management came when interest rates sky-rocketed but their third-party valuation agent refused to adjust their discount rate and hold their valuations constant. Their heavy reliance on outside parties for diligence/accounting/etc. came back to haunt them when they recently severally miscalculated a significant industrywide “make-up payment” (read up on the CRB rulings and one-time adjustment payment) resulting in the suspension of their quarterly dividend. There’s quite a bit of additional frustration from investors given the complexities of their relationship with BX, who funds a separate music investment vehicle that the founder (Merck) is also directly/indirectly involved with.

Long-story short is that music remains a highly attractive, uncorrelated asset class, but irresponsible investing will come back to bite you no matter the industry. The days of dumb money and flipping cat coins are over.

 

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